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Why? What difference does it make? good question. I am learning why particular context works well when they go hand held choice. We can’t choose hand held for all contexts. In my opinion iits works well for certain story’s. A rhythm and pacing little different from partial portions shot movies then fully hand held shot movies. The over all flow vary. That’s what I like to watch fully hand held shot movies. For instance ‘Happening’ movie.
Thanks David. I really need to watch fully hand held shot movies. Not partially one scene or some particular scenes.
Master Roger I assume focal length varying happened when rail tracks converging and diverging. It’s manipulated. Not an illusion
Dear master Roger 4:3 Ratio reduce the screen space and gives character observation compare than other usual format. What’s your opinion about 4:3 Ratio. We can’t just use 4:3 for all genre and contexts. Could you just talk about ‘The lighthouse’ aspect ratio little bit.
What about you talked in podcast about focal length consistency for viewers. For instances one shot use 32mm, and one shot use 75mm or zoom lenses!
My most doubt is the beam width 50 degree at 30 feet. How to convert 50 degree beam width to width of the area(feet)
Master Roger I saw arri 18k photometric Data. It shows me at thirty feet it gives you 1495 foot candles(Full flood), 50 degree beam width. How do I calculate ISO. Is it All photometric data for ISO 100?
Where did you get that photometric data. I need to read all kinds of lamps photometric data. Could any body give me pretty websites link
I searched photometric chart on arri websites. Couldn’t find. Could any one most of the lamps photometric chart linked websites!
