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I have seen “purple Noon”. Shot by h3ndri decae. I like the all intense colour choices in the whole film. I like very much color Platte. Its very simplest way the film was shot. But what about your quotes. ‘there is a style before contents ‘ Ripley was shot very stylistic way compare than purple Noon. What’s you inspired in purple Noon visual approach
Dear master Roger I have seen ‘The seed of the sacred fig’. It’s really good film. I connected very emotionally with that film.
whats your opinion about “Ripley’ Netflix show cinematography work. Have you seen ‘Ripley’
<p style=”text-align: left;”>Thanks Rogerdeakins and David Mullen. I tried to get some list of black and white movies shot on one lens. But I couldn’t find any list. Ii have heard ‘ touch of evil’ and ‘psycho’ most part shot on one lens. Can’t find any movie except these two or three films. I didn’t see ‘The last picture show'</p>
Master Roger I am just wondering Why he holds a shot for an extended length of time in ‘army of shadows’ Nazi marching opening scene?
Why? What difference does it make? good question. I am learning why particular context works well when they go hand held choice. We can’t choose hand held for all contexts. In my opinion iits works well for certain story’s. A rhythm and pacing little different from partial portions shot movies then fully hand held shot movies. The over all flow vary. That’s what I like to watch fully hand held shot movies. For instance ‘Happening’ movie.
Thanks David. I really need to watch fully hand held shot movies. Not partially one scene or some particular scenes.
Master Roger I assume focal length varying happened when rail tracks converging and diverging. It’s manipulated. Not an illusion
Dear master Roger 4:3 Ratio reduce the screen space and gives character observation compare than other usual format. What’s your opinion about 4:3 Ratio. We can’t just use 4:3 for all genre and contexts. Could you just talk about ‘The lighthouse’ aspect ratio little bit.
