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I know Nicholas Musuraca. I have watched couple of his films. I didn’t know Figueroa. There are lots of cinematographers using back light. What’s so special in these two cinematographers from your perspective. Do you feel these cinematographers using back light very meaningful and suitable context.
For instance shutter Island heavy back light and revolutionary road back lighting. Genre wise both film very different. Can you talk about little bit revolutionary road back light scene. Where Kate lying on dicaprio laps. I you can’t remember I can post the image.
Hi James I am in India. As a long time forum member and fan boy how to get Roger signing reflection on Cinematography book.
BI thought it would be unique by mistakenly. At which point you feel very distracting or do you feel totally distracting or partially of the shots.
Yeah it’s not cost effective idea. I am worrying about how to convey long time passage in this door time lapse.
I am just remembering this scene in The confirmist film. There is wider OTS shots. Can anyone tell more wider ots shots in films.
Calendar paper flying is very old trick. It’s not visual treatment!. I am sorry Roger I didn’t explain the scene. The scene about five 12 years group of school boys who become addicted to alcohol. There is a one scene a protagonist 12-years-old boy opens the abandoned house door at one night and goes in. The next morning, the door opens after sun rise and He comes out as a twenty-four-year-old boy. Actually he is living in that abandoned house. Because parents kicked out him.
How to apply stop motion technique for this scene.
If my window have a glass I will get some light from there. Those boys watching tv, and smoking. I would like to play with dim day light. The house is small. I believe there is not much practical lamps in that kind of middle class houses. That’s my worry. We can’t just out the bed kamp or table lamps for all types of houses. In foreign practical lights very common. But here is not like that.
I have seen “purple Noon”. Shot by h3ndri decae. I like the all intense colour choices in the whole film. I like very much color Platte. Its very simplest way the film was shot. But what about your quotes. ‘there is a style before contents ‘ Ripley was shot very stylistic way compare than purple Noon. What’s you inspired in purple Noon visual approach
Dear master Roger I have seen ‘The seed of the sacred fig’. It’s really good film. I connected very emotionally with that film.
whats your opinion about “Ripley’ Netflix show cinematography work. Have you seen ‘Ripley’
<p style=”text-align: left;”>Thanks Rogerdeakins and David Mullen. I tried to get some list of black and white movies shot on one lens. But I couldn’t find any list. Ii have heard ‘ touch of evil’ and ‘psycho’ most part shot on one lens. Can’t find any movie except these two or three films. I didn’t see ‘The last picture show'</p>
