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I didn’t know where to start lighting. Can I use large soft box like 20×20 on overhead. Is it good starting point
I am Not Roger. But what a ridiculous questions. Ofcourse you have preconceived idea about editing. For every movie you have decide particular editing pattern in your mind. Cinematographer never ask a such question like this.
I am Not Roger. But what a ridiculous questions. Ofcourse you have preconceived idea about editing. For every movie you have decide particular editing pattern in your mind. Cinematographer never ask a such question like this.
Master Roger what kind scene you go for conventional master shot with full dialogue. You mentioned various scene. What kind of scene. For instance a group of people’s involving one scenes. You said there is no right or wrong. But people don’t consider any pre conceive idea. Finally i would like to ask about action continuity. Because some times filmmakers use non professional actor’s. That people’s doesn’t know action continuity. Sam peckinpah do conventional master coverage?
I would like to hear Coen brothers and you both how do you shoot the master shot. Do they always ask to shoot full length dialogues for master shots.
Master Roger what I am asking is why did you just opened the woods scene from Bob ford perspective? Why didn’t you just open Jesse perspective?
Master Roger I am really sorry for interrupting you again. I couldn’t come to conclusions the assassination of Jesse James story is Bob Redford perspective? I was little bit oscillation about Bob redford perspective. Could you please consider my question?
Thank you Roger. I have watched ‘Laura’ couple of weeks ago. Laura lensing seems wide lenses. But I don’t know what focal length they used. I like the way the camera moves very reasonable. What’s your opinion about that film.
<p style=”text-align: center;”>What about The man who wasn’t there. It’s one character perspective right? Did you use same focal lengths for Emily and benicio characters</p>
You talked one character perspective on lens choice podcast episode. You said If the story is one character perspective then we have to use wide lenses. If I understood wrong please tell the right one.
Yeah first half is Emily perspective and another benicio perspective. It’s long time ago I watched. Did you use same focal lengths for benicio perspective also. Certainly ‘the man who wasn’t there ‘ and ‘laura’ comes to my mind when we talks about one character perspective. Do you remember what focal length did you use for TMWNT’. What about camera movements if they story have two perspective. I mean how do you differentiate in camera moves.
Recently I saw ‘Laura’ movie. I like the way the camera moves. What’s your opinion about it?
Even you don’t understand the story. Don’t act like masters. Your fundamental is very poor. Who is your mentor?
Ganesh vengatesh where did you study film language. You love ‘sicario’ film and also you are point out the mistakes like child. You don’t know what you are talking about. The film language is very impressive. Editing also very good. First you have to learn film language. Don’t ask silly questions. You are wasting your time and precious maestro Roger times also.
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