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I would like to hear Coen brothers and you both how do you shoot the master shot. Do they always ask to shoot full length dialogues for master shots.
Master Roger what I am asking is why did you just opened the woods scene from Bob ford perspective? Why didn’t you just open Jesse perspective?
Master Roger I am really sorry for interrupting you again. I couldn’t come to conclusions the assassination of Jesse James story is Bob Redford perspective? I was little bit oscillation about Bob redford perspective. Could you please consider my question?
Thank you Roger. I have watched ‘Laura’ couple of weeks ago. Laura lensing seems wide lenses. But I don’t know what focal length they used. I like the way the camera moves very reasonable. What’s your opinion about that film.
<p style=”text-align: center;”>What about The man who wasn’t there. It’s one character perspective right? Did you use same focal lengths for Emily and benicio characters</p>
You talked one character perspective on lens choice podcast episode. You said If the story is one character perspective then we have to use wide lenses. If I understood wrong please tell the right one.
Yeah first half is Emily perspective and another benicio perspective. It’s long time ago I watched. Did you use same focal lengths for benicio perspective also. Certainly ‘the man who wasn’t there ‘ and ‘laura’ comes to my mind when we talks about one character perspective. Do you remember what focal length did you use for TMWNT’. What about camera movements if they story have two perspective. I mean how do you differentiate in camera moves.
Recently I saw ‘Laura’ movie. I like the way the camera moves. What’s your opinion about it?
Even you don’t understand the story. Don’t act like masters. Your fundamental is very poor. Who is your mentor?
Ganesh vengatesh where did you study film language. You love ‘sicario’ film and also you are point out the mistakes like child. You don’t know what you are talking about. The film language is very impressive. Editing also very good. First you have to learn film language. Don’t ask silly questions. You are wasting your time and precious maestro Roger times also.
David master how did you mount actual fine lens on ipad? Is there any adopter for movie lens. Could you explain how do you mount actual fine lens? You mean Artemis pro have actual lens choice or what? What are the other options available on artemis pro for cinematograpers. Do you get accurate weather reports on artemis pro. What about lighting diagram and sort of things.
How do you get contrast image when you shot under the cloudy day. How do you give the exposure for cloudy situation. If you were shot human faces under the full cloudy weather what precautions would you do first of all? People’s use negative fill and some people’s use very soft light.
Master David i saw this still photo already somewhere in this site. I was thinking it’s day for night work. It’s really looks nice. What camera and ISO you used? But now a days young film makers using very artificial color moon light. It’s not look like blue. Well you know very well couple of films like that.
Good Questions. When i do think it’s distracted. Realism based context don’t work with moon light. For me peacock blue moon light don’t work all context. Because that particular color don’t fit for village life style contexts. Yeah you never used moon light in ‘prisoners’. I love your perfect reasons. In India every cinematographers using peacocks moon light for all kinds of genres. For me Peacock blue seems very eye candy color How this become for personal tastes?. Could you mentions couple of movies without using moon light. Need to study which movies works well without moon light and wich works better with moon lights.
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