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Hi Master Roger Deakins,
for some films cinematographer considers editing in the pre-production.
For example, Mad Max: Fury Road, due to its fast cutting. In every shot the main element is in the center of the composition so the editor can use the eye trace for fast cutting.
In one interview Joe Walker said about the Blade Runner 2049 ” its a very intimate relationship on set with DOP and their director and i don’t come in the middle of that. I kind of know what they’re doing what they’re trying to achieve and they know what i’m trying to achieve.”
sir is it best to know about each others work so everything leads into a place, everyone wished?. or is it best to maintain everybody freedom on their works?
Sir Roger did you considers the editing during prep in any of the films that you worked beside 1917.
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