Topics Engaged In
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- Topic
- Voices
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- Last Post
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Lens Choice in “No Country for Old Men”
Started by:
in: Camera
- 2
- 3
- 1 year, 5 months ago
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‘True Grit’ – Courtroom – Ceiling rig
Started by:
in: Lighting
- 3
- 4
- 1 year, 5 months ago
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Lighting a High School Library with Limited Resources!
Started by:
in: Lighting
- 3
- 6
- 1 year, 5 months ago
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Full Frame Digital
Started by:
in: Camera
- 3
- 10
- 1 year, 6 months ago
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consistent look with different set ups
Started by:
in: Lighting
- 4
- 3
- 1 year, 6 months ago
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shooting long takes
Started by:
in: Camera
- 2
- 1
- 1 year, 6 months ago
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Focal Lengths
Started by:
in: Camera
- 4
- 4
- 1 year, 6 months ago
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Empire of Light – camera work
Started by:
in: Composition
- 3
- 3
- 1 year, 6 months ago
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The future of lighting control
Started by:
in: Lighting
- 2
- 1
- 1 year, 6 months ago
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Green Cast When Lighting Through Windows
Started by:
- 3
- 2
- 1 year, 6 months ago
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Was No Country For Old Men initially intended to be 16:9?
Started by:
in: Composition
- 4
- 4
- 1 year, 6 months ago
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Will a redhead equivalent through a lantern softbox be enough to supplement dayl
Started by:
in: Lighting
- 2
- 4
- 1 year, 7 months ago
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“Psycho” singles Eye line & Curse of color in modern cinema.
Started by:
in: Composition
- 6
- 11
- 1 year, 7 months ago
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What color gels to achieve the teal-blue moonlight of True Grit / No Country
Started by:
- 2
- 2
- 1 year, 7 months ago
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Shoot clouding day as blue hour
Started by:
in: Post & The DI
- 3
- 5
- 1 year, 7 months ago
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Lens Choice in “No Country for Old Men”
