Shooting inside a car in movement (Green Screen vs “Real”)

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  • #215810
    Vultura
    Participant

      Hi!

      First post here. Forgive my writing, English is not my first language.
      <p style=”text-align: left;”></p>

      <p style=”text-align: left;”>I’m shooting a short thriller film in some months and it has two car scenes. We wanted to have two set-ups (driver and front seat passenger) like the ones above (from Kiarostami’s “Taste of Cherry”) + a close-up of the rear-view mirror + a close-up of the backseat passenger. Green screen is a tool that me and the DP have in mind, but the problem is: I wouldnt like to remind the viewer that the actors are not really driving, that there’s no real world. I like artifice, but its not the right tone for this story. So I’d really appreciate some tips regarding a realistic approach of the green screen or a regarding a very low budget way to get this images in a real ride without going for a documentary look!</p>

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    • #216321
      BlacksheepPictures
      Participant

        I also think Greenscreen Car Scenes at day ALWAYS look fake. check out some sucktion Mount or camtree.

        #216323
        Roger Deakins
        Keymaster

          I don’t see why simple camera angles like those you describe can’t be shot in a moving car. I am pretty sure they would have been for Taste of Cherry.

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