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Master Roger I saw arri 18k photometric Data. It shows me at thirty feet it gives you 1495 foot candles(Full flood), 50 degree beam width. How do I calculate ISO. Is it All photometric data for ISO 100?
Where did you get that photometric data. I need to read all kinds of lamps photometric data. Could any body give me pretty websites link
I searched photometric chart on arri websites. Couldn’t find. Could any one most of the lamps photometric chart linked websites!
Need Frontal light. But how do you calculate width of the area relative to width of the beam. Could you explain little bit.
What’s your opinion about 3xM40 par lamp Ganged through diffusion on over head hight.
Yes I could hire industrial condor. It will go up to 150′ hight. How much lamp should need for f 2.8 at 800 ISO. Not 3xacltly back light. It’s over head only. Need 200′ area illumination.
What kind of LEDs generally you preferred in this case. What is personal thoughts about skypanel and astera tubes for buses night interior lighting.
I didn’t know where to start lighting. Can I use large soft box like 20×20 on overhead. Is it good starting point
I am Not Roger. But what a ridiculous questions. Ofcourse you have preconceived idea about editing. For every movie you have decide particular editing pattern in your mind. Cinematographer never ask a such question like this.
I am Not Roger. But what a ridiculous questions. Ofcourse you have preconceived idea about editing. For every movie you have decide particular editing pattern in your mind. Cinematographer never ask a such question like this.
Master Roger what kind scene you go for conventional master shot with full dialogue. You mentioned various scene. What kind of scene. For instance a group of people’s involving one scenes. You said there is no right or wrong. But people don’t consider any pre conceive idea. Finally i would like to ask about action continuity. Because some times filmmakers use non professional actor’s. That people’s doesn’t know action continuity. Sam peckinpah do conventional master coverage?
I would like to hear Coen brothers and you both how do you shoot the master shot. Do they always ask to shoot full length dialogues for master shots.
Master Roger what I am asking is why did you just opened the woods scene from Bob ford perspective? Why didn’t you just open Jesse perspective?
