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  • in reply to: 1917 – Tracking shots lighting #199804
    Stip
    Participant

      Great insight!

      in reply to: Lighting setup workflow #199562
      Stip
      Participant

        Are you referring to the Christian Bale rant on the set of ‘Terminator Salvation’ in 2009?

        “Bale verbally goes off on the film’s cinematographer Shane Hurlbut, who had walked onto set to check a light during the filming of a scene. This was apparently the second time he had done this…”.

        I would say that is a very different situation than adjusting the lights when the actors arrive on set, which is being done all the time on the productions I am on. But I also don’t know the workflow on bigger budget productions.

        in reply to: For a beginner, what is best to learn? #198693
        Stip
        Participant

          Agree with David – (endless) activity and reflectivity. I don’t think there’s a “most ROI”.

          in reply to: Inspiration and DIY rigs #198403
          Stip
          Participant

            I always loved (but never tried) the “BroomCam”: rig a camera onto a broom for an ultra low ‘steadicam’.

            Stip
            Participant

              ” Is there any benefit to doing this versus a correct white balance in digital?!”

              No. You could make tests but I don’t see this resulting in anything desirable.

              in reply to: Building a tunnel of diffusion #195960
              Stip
              Participant

                What is holding the tunnel? If you sew several pieces together you could hide the seam near the scaffold. Lighting from outside could help to hide the seams too depending on the intensity of light and thickness of fabric.

                in reply to: Empire of Light – Practical Bare Bulb #193040
                Stip
                Participant

                  “There was a serious flare but I placed a small square of white tape in the middle of the bulb facing camera and that dealt with the flare.”

                   

                  Love it!

                  in reply to: Jarhead: technical decision based on story. #189918
                  Stip
                  Participant

                    If I remember correctly 16mm was an early consideration but he went with 35mm.

                    in reply to: Live Stream this Saturday – March 11th #188854
                    Stip
                    Participant

                      Sounds great!

                      in reply to: I need feedback #185276
                      Stip
                      Participant

                        I don’t think it’s wrong, just too weak maybe.

                        If you had used a rim light, it would have separated the subject – but then it also would have looked exactly the same as thousands of other music videos shot against black. So there’s really no right or wrong.

                        in reply to: Shot Design in prep #178317
                        Stip
                        Participant

                          “but a problem can arise when an actor comes in the next day with a different idea.”

                          Sooo, what happens if the idea is bad? How often does it happen that you have to change things for the worse because of an actor’s leverage?

                          in reply to: Shot Design in prep #177998
                          Stip
                          Participant

                            Interesting, thank you!

                            in reply to: Shot Design in prep #177796
                            Stip
                            Participant

                              Do you like working like you did on “Empire of Light”, where you figure it out on the day of shooting? (I feel a stressful pressure to deliver ‘right here, right now’ if I cannot ponder ahead of shooting)

                              in reply to: Best movies to study lighting and cinematography #177545
                              Stip
                              Participant

                                “About the “bad cinematography”, would you include in it great movies with stunning images but that are so beautiful that you tend to forgot what’s their purpose and you simply stare at them?”

                                 

                                Good question, I just know that whenever film critics start with “The visuals are stunning” or “The landscapes are breathtaking”, I can be quite sure that the story is lacking 🙂

                                in reply to: Short, slow push ins/pull outs. Example films? #177382
                                Stip
                                Participant

                                  Thanks but I was asking if anyone knows any films that use predominantly short travel, slow dolly moves.

                                Viewing 15 replies - 121 through 135 (of 179 total)