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September 21, 2023 at 7:39 pm in reply to: What color chroma key to use when actors are lit by deep blue light? #214995
This brings up another question which maybe you can answer.
I know many digital cameras have problems with blue light clipping too easily. My plan was to use daylight balanced LEDs and gel them blue. Would that avoid the issue?
If I may, I’m noticing a real issue with the headroom of your subjects. In some shots it feels as though it’s been carelessly cropped in on almost like a pan-and-scan you see in some old movies. Many have the heads of people cut off either too close to the top of their head or right in the middle of their forehead.
I think you might (everyone does) benefit from taking a look at some classical paintings and photography to hone your compositions. Lighting and camera quality can only take you so far if you can’t also construct powerful frames.
Good luck!
May 9, 2023 at 2:41 am in reply to: Was No Country For Old Men initially intended to be 16:9? #212801Ah thanks for the answer. Thought maybe I’d stumbled upon a little piece of trivia. Alas!
April 30, 2023 at 4:24 pm in reply to: What color gels to achieve the teal-blue moonlight of True Grit / No Country #211105Ah, such a nice color from those. Thank you sir!
March 30, 2023 at 3:56 pm in reply to: Shooting everything in Tungsten balance the same as not using an 85 filter? #200195Ah, that’s pretty much what I figured. Thanks for the explanation!
January 27, 2023 at 10:05 am in reply to: What aperture did people tend to use in movies in the 1940s? #176495Wonderful, thank you for the info. Given me some things to research!
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