Stip

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  • in reply to: Colored light #216426
    Stip
    Participant

      He will use it when it serves the story, not for effect. From the interviews I’ve seen he works very closely with the art department.

      in reply to: Starting the color grading process by using the show LUT #216415
      Stip
      Participant

        Typically show LUTs are meticulously built upon test footage so that they don’t break and work for a range of scenarios, so that decisions on set can be made under the intended, final look (in camera).  Changing that look in post can mean messing with those decisions (e.g. exposure). So usually in post you would grade under the LUT (or the power grades it was rendered from).

        But there’s no rule. Ultimately the colourist needs to work towards the vision of the DP and/or director.

        Here’s a great interview about show LUTs and their use with Jill Bogdanovic, colorist of ‘Joker’, ‘Grand Budapest Hotel’ and others.

        in reply to: Composition and Symmetry #216390
        Stip
        Participant

          I started with documentary and that taught me to operate on instincts. I believe Roger did lots of documentary early on, his instinct for putting the audience where it needs to be is second to none in my opinion. The shot above is no exception.

          in reply to: JESSE JAMES Live Q&A – Oct 16, 2024 #216359
          Stip
          Participant

            He refers to ‘The War Game’, a 1960’s BBC film by Peter Watkins.

            in reply to: Film stock #216344
            Stip
            Participant

              Few years ago I shot some Kodak Tri-X 400 and developed it in coffee.
              I think it was called Caffenol, made from ingredients that can be found in the kitchen, with instant coffee being the main one.

              Then I left the films in the developer tanks for 3 days, bathing in very saturated salt water – that functioned as a natural fixer. And what can I say, it worked!

              I never did it again though as the results, as interesting and at times powerful as they were – were not worth the work.

              But I still like Kodak Tri-X.

              in reply to: Testing LED #216324
              Stip
              Participant

                Budget film LEDs have come a long way in terms of quality of light in the past 10 years. There are many brands who all produce great lights. Built quality, functionality and service are the main differences today to more expensive brands.

                in reply to: Diffusion Filters #216290
                Stip
                Participant

                  Yes the advantage of a physical filter is that you see their effect while shooting and may adjust lights ect accordingly. It might also be more fun 🙂

                  I didn’t want to talk you out of trying things the way you want to!

                  in reply to: Diffusion Filters #216279
                  Stip
                  Participant

                    Using post-diffusion does not mean that you make the decision in post. Usually you do tests before shooting and decide on what you are going for then.

                    But of course you can use physical filters if that is what you want.

                    in reply to: Diffusion Filters #216277
                    Stip
                    Participant

                      I personally would advise against physical filters. You cannot undo the effect. Luckily, filter diffusion is the one thing that actually makes sense to do in post imo. There is a plugin that emulates all popular diffusion and haze filters called Scatter from Video Village. It’s visually indistinguishable and you have infinitely more control than with physical filters. I think they have a demo version you can try.

                      in reply to: No Country Criterion HDR #216276
                      Stip
                      Participant

                        I’m not Roger, but I just can’t hold back on this topic; in my opinion HDR does more harm than good aesthetically, especially on films. There certainly are people that enjoy it but I think the demand for HDR was created by the industry first, not the audience, just like with 4K or 3D TV’s.

                        in reply to: What are ‘gag’ lights and why use them? #216270
                        Stip
                        Participant

                          Look at a 9 light or 12 light Maxi Brute. If you hold your hand close the lamp you see every shadow, though perhaps you should do this with an equivalent multiple bulb LED if you value your hand.

                          :))

                          in reply to: Look of Film in 2024 #216217
                          Stip
                          Participant

                            Not David but in my opinion one example would be a “gritty” story.

                            I’m preparing a dark mystery-thriller and intend to use grain, the soundtrack uses lots of grainy, gritty, granular sound elements as well.

                            I think the balance is delicate and I prefer the grain to be “felt” rather than seen.

                            in reply to: Look of Film in 2024 #216202
                            Stip
                            Participant

                              Personally I think the “Dune” pipeline was a bit of a gimmick. I’d guess general audience hardly got anything from it (if at all) that couldn’t have been achieved much simpler and cheaper.

                              I’m always interested in the effort/benefit ratio and for me personally this didn’t pass it. Then again, that was a very big production, with top notch people, and they get to levels of quality where I’d imagine such details matter more.

                              in reply to: handheld movies #216154
                              Stip
                              Participant

                                from the top of my head:

                                The Wrestler

                                Black Swan

                                Children of Men

                                Chungking Express

                                Pusher

                                District 9

                                in reply to: Still cannot edit a reply after posting #216120
                                Stip
                                Participant

                                  NOTE:
                                  I am currently using a VPN because I could not login anymore after testing to edit the above post, which failed.

                                  This often happened to me, not being able to login anymore after there was an error posting or editing.

                                  Clearing cache, using different browsers ect does not work, even a VPN only occasionally did the trick.

                                  I assume the  “ERR_TOO_MANY_REDIRECTS” is caused by the website and unfortunately seems to still be there.

                                Viewing 15 replies - 61 through 75 (of 275 total)