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Hi Roger, I re-watched True Grit recently as it had been a while and I’d forgotten a lot of it, what an incredible film!
I am curious about your approach on getting these deep focus shots in the film as it plays so well in the story. Is it as simple as smaller apertures? Or are there split diopters or background plates playing here?
And are there considerations with smaller apertures such as diffraction or limiting light to the film/sensor? Neither of which seem to be present here.
Apologies for the poor quality screen grabs, but I pulled a few stills online from examples I was curious about. This first ones seems particularly tricky to get with the iris alone.
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