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I’d love to ask a question about the process and lighting for this scene in The Big Lebowski – https://www.youtube.com/watch?v=yDVrrZkUFeE
Over in Perth, Western Australia, myself and others are members of the Professional Film Crew WA — a cohort of below-the-line members across all departments. We sometimes go to Universities and Colleges and showcase how crews work together and we’ve been asked to do a sim-trav demonstration for the students. We usually prefer to showcase well know works over our own since (surprisingly) more students watch US and UK productions than Australian ones. However we want to show that the process is usually the same.
In looking at this scene, it very much feels like sim-trav, but I could be wrong and I was hoping you could help shine a light (pardon the pun) on the overall process used at the time.
Thanking you in advance.
Topic: Shower in Empire of Light
Dear Roger,
this is somewhat trivial, but I just watched the trailer for “Empire of Light”, which by the way looks fantastic and I can’t wait to see the movie in the theatre. I couldn’t help but think of a very similar looking shot in ‘No Country for Old Men’, when I saw the shower scene with the dark green tiles. So I wonder, is there a story behind this? Is this a coincidence, or maybe a hidden easter egg on your part or did you maybe not even think of it looking the same?
Just curious 🙂
Thanks and all the best!
Ingohttps://www.bilibili.com/video/BV1MW411A7QY/
This is a 2005 music video shot for the japanese band Tokyo Jihen, seems like they shot it with film but overexposed it right to the edge of clip to give the talents a very pastel look. Because as you can see when they exposure ramped down to normal the skin looks very nice and saturated. I was wondering how you guys would approach lighting to recreate a look like this, of course the set design plays a big part as well. But I’m also wondering how to create these kind of look in the coloring suite with digital, since I can’t bruteforce exposure and force it to clip like film does, since the roll off on digital is quite a bit harsher. Also if anybody worked with film back then and knows anything about the telecines or colorgrading suite they would use for these kind of projects I would love to know!