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One of the most powerful and greatest film in film history done without any piece of music. People who do not understand or respect film history must be the ones thinking of things like this.
September 3, 2023 at 6:30 am in reply to: “Bladerunner 2049” Vfx/CG/real/miniature/specialeffects #214900(A little correction these lines, I can’t seem to edit it) can you pls share your process in some length on lighting and shooting full CG scenes and compositing scenes that goes for CG background in your films, Rango is one of your finest work and I can’t see it any different than your Live action work.
First time I watched ‘Rango, it sure did felt like the man who shot ‘No country for old men’ and ‘true grit’ had shot this film. It was amazing to discover the signature personality on composition, movement and lighting.
September 3, 2023 at 5:50 am in reply to: “Bladerunner 2049” Vfx/CG/real/miniature/specialeffects #214899Great Master Roger,
- I’m currently working as a virtual lighting and camera artist in a pre/post production facility, So the seamless movement from Live action to CG amazed me in bladerunner like no other, can you pls share your process in some length on lighting and shooting full CG scenes and compositing scenes that goes for CG background in your films, Rango is one of your finest work and I can’t see it any different than your CG work.
- But here when I work on shots on films, most cinematographers don’t come much to the house to have control over their CG images and I find it a little depressing as I’ve learned from your Forum and everywhere you had given talks and interviews and Much similar like DP master Greig Fraser on maintaining and protecting the Dop’s work through any method of creating it for the film. wanting to do DP work on my own films is my ultimate aim also, I always hope for Dp’s to come in and do the CG lighting with the technical support of CG artists so it pretty much stays one vision. I try my best to match their live action work with references of live footage.
- Master Roger can you share your way of working lighting and framing and everything as you do as a live action cinematographer, how that translates to any other form of imagery.
- Always learning from you Master Roger.
- Thank you for your time.
April 24, 2023 at 11:46 pm in reply to: “Psycho” singles Eye line & Curse of color in modern cinema. #209314Can you mention some of the films that have great color cinematography according to you. Any film with great color work that gave you the level of feeling when you watched a black and white film like psycho .
April 24, 2023 at 11:39 pm in reply to: “Psycho” singles Eye line & Curse of color in modern cinema. #209313Thank you
Master Roger for your feedbacks.
April 18, 2023 at 8:55 am in reply to: “Psycho” singles Eye line & Curse of color in modern cinema. #207340Hi, thanks Gianni , Master David and ryan.
Great learning the eyeline chocies was well intentional.
Master David could you share your opinion about the color being a distraction part.
Thank you.
April 15, 2023 at 10:50 am in reply to: “Psycho” singles Eye line & Curse of color in modern cinema. #206944Somewhere I heard , one painter saying color is something that disturbs more than it helps,
Do you ever feel the same.
March 6, 2023 at 12:26 am in reply to: How to avoid Reflection issues while shooting blue screen #187157Ok got it master David.
Thanks 🙏🏻.
March 5, 2023 at 9:10 am in reply to: How to avoid Reflection issues while shooting blue screen #187035Gonna find the book and read,Anything you recommend is top priority on to do list Master Roger,
Thank you 🙏🏻
Amazing master Roger, waiting for the podcast.
I liked this film so much that it very much captures the anti war spirit, makes one understands what comes of stupid ego and arrogance enters the human mind.
And lot of great learning from this film
Yes master David , to not disrupt continuity with defined cloud formations seems like understandable in case of 1917.
In the shot you posted , would you not be worried often having little shadow details.
Thanks for the reply
yes , i understood that , but usually on overcast days there would be great cloud formations happening , was curious why roger choose to not show that much cloud detail in 1917 , obviously alexa would capture all the details , so . maybe it was to avoid overly dramatic images from first sections of the film , also curious to know what rogers process in coloring if he wants that kind of sky , is it a highlight keying or some other process.
Thank you master Roger.
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