sanghamithran

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  • in reply to: Regraded No Country For Old Men #215538
    sanghamithran
    Participant

      One of the most powerful and greatest film in film history done without any piece of music. People who do not understand or respect film history must be the ones thinking of things like this.

      in reply to: “Bladerunner 2049” Vfx/CG/real/miniature/specialeffects #214900
      sanghamithran
      Participant

        (A little correction these lines, I can’t seem to edit it) can you pls share your process in some length on lighting and shooting full CG scenes and compositing scenes that goes for CG background in your films, Rango is one of your finest work and I can’t see it any different than your Live action work.

        First time I watched  ‘Rango, it sure did felt like the man who shot ‘No country for old men’ and ‘true grit’ had shot this film. It was amazing to discover the signature personality on composition, movement and lighting.

        in reply to: “Bladerunner 2049” Vfx/CG/real/miniature/specialeffects #214899
        sanghamithran
        Participant

          Great Master Roger,

          1. I’m currently working as a virtual lighting and camera artist in a pre/post production facility, So the seamless movement from Live action to CG amazed me in bladerunner like no other, can you pls share your process in some length on lighting and shooting full CG scenes and compositing scenes that goes for CG background in your films, Rango is one of your finest work and I can’t see it any different than your CG work.
          2. But here when I work on shots on films, most cinematographers don’t come much to the house to have control over their CG images and I find it a little depressing as I’ve learned from your Forum and everywhere you had given talks and interviews and Much similar like DP master Greig Fraser on maintaining and protecting the Dop’s work through any method of creating it for the film. wanting to do DP work on my own films is my ultimate aim also, I always hope for Dp’s to come in and do the CG lighting with the technical support of CG artists so it pretty much stays one vision. I try my best to match their live action work with references of live footage.
          3. Master Roger can you share your way of working lighting and framing and everything as you do as a live action cinematographer, how that translates to any other form of imagery.
          4. Always learning from you Master Roger.
          5. Thank you for your time.
          sanghamithran
          Participant

            Can you mention some of the films that have great color cinematography according to you. Any film with great color work that gave you the level of feeling when you watched a black and white film like psycho .

            sanghamithran
            Participant

              Thank you

              Master Roger for your feedbacks.

               

              sanghamithran
              Participant

                Hi, thanks Gianni , Master David and ryan.

                Great learning the eyeline chocies was well intentional.

                Master David could you share your opinion about the color being a distraction part.

                Thank you.

                sanghamithran
                Participant

                  Somewhere I heard , one painter saying color is something that disturbs more than it helps,

                  Do you ever feel the same.

                  sanghamithran
                  Participant

                    Ok got it master David.

                    Thanks 🙏🏻.

                    sanghamithran
                    Participant

                      in reply to: All quiet on the western front #177278
                      sanghamithran
                      Participant

                        Gonna find the book and read,Anything you recommend is top priority on to do list Master Roger,

                        Thank you 🙏🏻

                        in reply to: All quiet on the western front #175805
                        sanghamithran
                        Participant

                          Amazing master Roger, waiting for the podcast.

                          I liked this film so much that it very much captures the anti war spirit, makes one understands what comes of stupid ego and arrogance enters the human mind.

                          And lot of great learning from this film

                          in reply to: exposure and details #172691
                          sanghamithran
                          Participant

                            Yes master David , to not disrupt continuity with defined cloud formations seems like understandable in case of 1917.

                             

                            In the shot you posted , would you not be worried often having little shadow details.

                             

                            Thanks for the reply

                            in reply to: exposure and details #172613
                            sanghamithran
                            Participant

                              yes , i understood that , but usually on overcast days there would be great cloud formations happening , was curious why roger choose to not show that much cloud detail in 1917 , obviously alexa would capture all the details , so . maybe it was to avoid overly dramatic images from first sections of the film , also curious to know what rogers process in coloring if he wants that kind of sky , is it a highlight keying or some other process.

                              in reply to: most used focal length on Jesse james #169544
                              sanghamithran
                              Participant

                                Thank you master Roger.

                              Viewing 14 replies - 1 through 14 (of 14 total)