rama lingam

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  • in reply to: Deciding width of OTS shot? #217354
    rama lingam
    Participant

      I am just remembering this scene in The confirmist film. There is wider OTS shots. Can anyone tell more wider ots shots in films.

      in reply to: 10 year passages visual approach #217353
      rama lingam
      Participant

        Calendar paper flying is very old trick. It’s not visual treatment!. I am sorry Roger I didn’t explain the scene. The scene about five 12 years group of school boys who become addicted to alcohol. There is a one scene a protagonist 12-years-old boy opens the abandoned house door at one night and goes in. The next morning, the door opens after sun rise and He comes out as a twenty-four-year-old boy. Actually he is living in that abandoned house. Because parents kicked out him.

        How to apply stop motion technique for this scene.

         

         

         

         

         

        rama lingam
        Participant

          If my window have a glass I will get some light from there. Those boys watching tv, and smoking. I would like to play with dim day light. The house is small. I believe there is not much practical lamps in that kind of middle class houses. That’s my worry. We can’t just out the bed kamp or table lamps for all types of houses. In foreign practical lights very common. But here is not like that.

          in reply to: Interior night time lapse #216688
          rama lingam
          Participant

            Could you please consider my questions master Roger.

            in reply to: Motivated Daylight with LED Fixtures #216526
            rama lingam
            Participant

              Do you remember which brand LED and how many numbers? Did you use fiilex

              in reply to: Recent movie recommendations #216475
              rama lingam
              Participant

                I have seen “purple Noon”. Shot by h3ndri decae. I like the all intense colour choices in the whole film. I like very much color Platte. Its very simplest way the film was shot. But what about your quotes. ‘there is a style before contents ‘ Ripley was shot very stylistic way compare than purple Noon. What’s you inspired in purple Noon visual approach

                in reply to: Recent movie recommendations #216470
                rama lingam
                Participant

                  Dear master Roger I have seen ‘The seed of the sacred fig’. It’s really good film. I connected very emotionally with that film. 

                  whats your opinion about “Ripley’ Netflix show cinematography work. Have you seen ‘Ripley’

                  in reply to: Single lens shot movies #216303
                  rama lingam
                  Participant

                    <p style=”text-align: left;”>Thanks Rogerdeakins and David Mullen. I tried to get some list of black and white movies shot on one lens. But I couldn’t find any list. Ii have heard ‘ touch of evil’ and ‘psycho’ most part shot on one lens. Can’t find any movie except these two or three films. I didn’t  see ‘The last picture show'</p>

                    in reply to: Single lens shot movies #216255
                    rama lingam
                    Participant

                      Master Roger could you consider my question?

                      in reply to: Single lens shot movies #216220
                      rama lingam
                      Participant

                        Thanks for your suggestion. But I asked about masters work. Particularly old movies

                        in reply to: (Reading) Recommendations for Camera Blocking / Scene Design #216196
                        rama lingam
                        Participant

                          Master Roger I am just wondering Why he holds a shot for an extended length of time in ‘army of shadows’ Nazi marching opening scene?

                          in reply to: handheld movies #216155
                          rama lingam
                          Participant

                            Why? What difference does it make? good question. I am learning why particular context works well when they go hand held choice. We can’t choose hand held for all contexts. In my opinion iits works well for certain story’s. A rhythm and pacing little different from partial portions shot movies then fully hand held shot movies. The over all flow vary. That’s what I like to watch fully hand held shot movies. For instance ‘Happening’ movie.

                            in reply to: handheld movies #216150
                            rama lingam
                            Participant

                              Thanks David. I really need to watch fully hand held shot movies. Not partially one scene or some particular scenes.

                              in reply to: Shashank redemption harsh lighting #215979
                              rama lingam
                              Participant

                                I felt the prison canteen high lights seems  little more Harsh compare than prisoner’s cell blocks.

                                in reply to: Shashank redemption harsh lighting #215978
                                rama lingam
                                Participant

                                  I just asked about this close shot. Brooks feeding pigeons in park. 

                                Viewing 15 replies - 16 through 30 (of 80 total)