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Dear master Roger I have seen ‘The seed of the sacred fig’. It’s really good film. I connected very emotionally with that film.
whats your opinion about “Ripley’ Netflix show cinematography work. Have you seen ‘Ripley’
<p style=”text-align: left;”>Thanks Rogerdeakins and David Mullen. I tried to get some list of black and white movies shot on one lens. But I couldn’t find any list. Ii have heard ‘ touch of evil’ and ‘psycho’ most part shot on one lens. Can’t find any movie except these two or three films. I didn’t see ‘The last picture show'</p>
Master Roger I am just wondering Why he holds a shot for an extended length of time in ‘army of shadows’ Nazi marching opening scene?
Why? What difference does it make? good question. I am learning why particular context works well when they go hand held choice. We can’t choose hand held for all contexts. In my opinion iits works well for certain story’s. A rhythm and pacing little different from partial portions shot movies then fully hand held shot movies. The over all flow vary. That’s what I like to watch fully hand held shot movies. For instance ‘Happening’ movie.
Thanks David. I really need to watch fully hand held shot movies. Not partially one scene or some particular scenes.
Master Roger I assume focal length varying happened when rail tracks converging and diverging. It’s manipulated. Not an illusion
Dear master Roger 4:3 Ratio reduce the screen space and gives character observation compare than other usual format. What’s your opinion about 4:3 Ratio. We can’t just use 4:3 for all genre and contexts. Could you just talk about ‘The lighthouse’ aspect ratio little bit.
What about you talked in podcast about focal length consistency for viewers. For instances one shot use 32mm, and one shot use 75mm or zoom lenses!
