M Ryan

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  • in reply to: Alexa 35 vs Mini LF #215995
    M Ryan
    Participant

      Just finished watching the new Beverly Hills Cop filmed on the Alexa 35. It really looked good, and one scene on a rooftop nightclub you could really see the extra latitude put to great effect.

      in reply to: Oldschool Hollywood lighting 50s/60s #215743
      M Ryan
      Participant

        Typically this would be the look of a bunch of carbon arc lights blasting on to the face

        in reply to: Phantom Thread Cafe Scene #214940
        M Ryan
        Participant

          Comping is another possibility..

           

           

          in reply to: High Key Lighting/The Commercial Look #214721
          M Ryan
          Participant

            Looks like a smaller soft source close to the talent is used alot – also occured to me that greenscreen/matting could be a quick way to get this look (if appropriate)

            eg: 

            in reply to: Eyes Wide Shut Moving Mirror #214644
            M Ryan
            Participant

              Nice question and answer 🙂 However have to say there was plenty of CGI by 1999!

              in reply to: How to set exposure for an explosion? #214571
              M Ryan
              Participant

                Probably from The Marvelous Mrs. Maisel

                in reply to: Sicario #214563
                M Ryan
                Participant
                  in reply to: Sicario #214562
                  M Ryan
                  Participant

                    Interesting question Ganesh, makes total sense to me 🙂 I seem to remember reading about a scene that was shot but cut in the edit where Alejandro was introduced, originally this was outside the aeroplane (?) – possibly to really sneak the character into the story slowly as we begin to realise alot of this story will be about him.. which could be why the original opening in the script was cut.

                    In alot of way’s the film really is Alejandro’s story told through Kate’s eyes, but it is also Kate’s journey as well, and she definitely becomes less passive as the story progresses..

                    Would love to hear some more insights about how Sir Roger worked with Denis to film these two characters.. the relatable Kate and the mysterious Alejandro!

                    Also yes, please keep it respectful (Vanniyan) – we are all here to learn, share and support each other – there are no stupid questions.

                    Regards, Michael

                     

                     

                    in reply to: Lighting Ratios #214561
                    M Ryan
                    Participant

                      This one was a helpful guide for me in using false colour to help with consistent ratio

                      Cinematography School: Lighting Ratios 101

                      in reply to: Creating a shot from inside a rabbit hole #208627
                      M Ryan
                      Participant

                        If you can get a hold of a probe lens that could give a nice going into a rabbit hole shot..  for the inside maybe build a little rabbit hole set (? 😊) – shot on the widest lens possible and comp it together..

                        M Ryan
                        Participant

                          Nice question Sangha, and thanks for the interesting answers Gianni and David.

                          ….. and what a lovely pair of frames there! Surely the team that made those beautiful images are doing most everything deliberately 🙂

                          in reply to: Low/No budget movies with intriguing cinematography? #206918
                          M Ryan
                          Participant

                            Sorry to Bother You (2018) 👍

                            in reply to: New “Looking at Lighting” page up #202801
                            M Ryan
                            Participant

                              ♥♥♥

                              in reply to: Ansel Adams zone system #201689
                              M Ryan
                              Participant

                                If you’re fighting the sun something like a 12k hmi or 2 (or 3 or more) might be something you would usually see.. not very portable or low budget 🙂 In this scenario a simple collapsable reflector can be a great solution 👍👍

                                 

                                in reply to: Empire of Light – Practical Bare Bulb #193560
                                M Ryan
                                Participant

                                  ♥♥

                                Viewing 15 replies - 1 through 15 (of 24 total)