[bardanmcguire]

I completely agree with you John. All of the shots in that film except that shot was taken with my Blackmagic Pocket 4k on Blackmagic raw but for that one shot I used my drone which shot on DJI D-Log. I’m not a pro colourist so I just couldn’t for the life of me make it match. It really annoyed me in the end but there just wasn’t anything I could do about. At the end of the day I just had to call it and say it was good enough!

You’re right, it does look like a cheap LUT. 😉

Thank you.

[bardanmcguire]

Thanks for the kind words and encouragement guys. Much appreciated. 🙂

[bardanmcguire]

I remember reading an interview with either Elem Klimov or Aleksey Rodionov on the cinematography of come and see. I’m fairly sure it was mentioned that there were only one or two lights used on the films but yes it was nearly all shot with natural light.

[bardanmcguire]

Sorry, I wasn’t being clear.

I meant films that Roger Deakins admires that he didn’t work on.

Come and see is such a beautiful film. I don’t mean the subject matter but the visuals of course.

[bardanmcguire]

Hi David! I’m just wondering do you just have vast libraries of screenshots from movies that you like?

It just seems like that to me from the screenshots you share from films on this forum and your brilliant posts on Instagram!

I’ve actually been going through a lot of movies over the past few years and either screenshotting specific scenes I want to analyse or just every shot in the entire movie and then just going through the whole thing to best understand each shots relation to one another and of course composition, lighting etc. Shot deck just isn’t specific enough for me. I find it very helpful for developing my own ideas.

[bardanmcguire]

Thanks a million Roger! I really appreciate your reply!

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