Sharpness Settings and Midtone Detail in Post-Production

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  • #216616
    BlacksheepPictures
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      Hi everyone,

      I’m currently shooting with a Sony camera in S-Log3, and I’ve come across some advice that I’d like to get your thoughts on:

      Many people suggest turning down sharpness to -7 in-camera and then adding it back during post-production, as they argue that a computer can handle sharpening more effectively than the camera.

      It’s also been suggested to reduce midtone detail in the editing software if you’re aiming for a softer, more diffused look (similar to what a Pro-Mist filter might achieve).
      I’d love to hear your opinions on these two practices. Are they worth implementing, or do they come with any downsides I should be aware of?

      Thanks in advance for your insights!

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