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Thank you for the advice David, all of these options are very very viable. I like the idea of shooting it wide in twilight and then the closeups later. I am considering possibly just rewriting a bit as well. Making the build up in the afternoon/golden hour and the payoff (kill) at dusk, might be easier. I appreciate you sifting though my insanity and providing meaningful answers. In my sporadic posting here I have found you quite helpful and insightful, hope all is well and all the best. -pwm
Cool cool, thanks to yall. Should help me get a bit closer. I will investigate the lighting in the show with a keener eye too and see what I can come up with.
Thanks for the advice Tyler! But just to clarify, what do you mean my rate? not a term that I am familiar with.
Thank you for the advice everyone! I will start testing soon and keep yall posted.
Thanks Luca!
Sorry for the late reply neeraj, I ended up finding some 3m reflective tape at the hardware store and putting it overtop the lenses of the glasses.
Just wanted to add that the shot came out really nicely! Thank you Roger and Dmullenasc!

Thanks for the info Dmullenasc! Im for sure going to start looking into a new lighting setup for this with a stronger overhead
Thanks for the info again! Facepaint or a black mask might actually work pretty well because im going to be shooting in black and white. Ill keep this thread updated with what I end up working out.
Thanks for the info dmullenasc, what might you suggest for a light as opposed to the flashlight? Do you think it might be possible to shape the light from a high powered source so that it only hits the general area of the dull sprayed glasses and not the face? Unfortunately I am too poor to accomplish the lighting of something that would be big enough to fill the glasses, like your flat wall or building idea.
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