[Yakov10]

Does anyone know if Roger can still answer or if he will no longer answer my question?

[Yakov10]

Yes, I wonder what Roger will say.

[Yakov10]

The music for the film is written by Mihály Víg. I want the sound dramaturgy to help the viewer to turn on their imagination as much as possible. Each shadow, coming out of the darkness and going back into it, will have its own sound breathing and handwriting. Echoes, breaths, beats, whispers, cues, ancient music from loudspeakers. A whole world of sounds enveloping the imagination of the audience.

[Yakov10]

The advice is really good. But I’m afraid it won’t work in my film.

[Yakov10]

Yes, I remember this movie well. I know what you mean. The complexity of my idea also lies in the fact that the darkness should turn into the hero of the film, which provokes and reveals different reactions of the main character, and with him the viewer. But, of course, we will test and try.

[Yakov10]

At the same time, I want to achieve a sense of camera movement in this darkness. Because the hero is moving through a dark space.

[Yakov10]

Yes, I need a real textured black color with the feeling that there should be light somewhere in the distance, but it’s not there.

[Yakov10]

I think it’s risky, of course. But only in the long dark will I be able to turn on the viewer’s imagination to the fullest. The sound drama plus the darkness on the cinema screen will be able to fully reveal the plot of the film.

[Author]

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