[William Knowles]

Hey Roger,

 

Sorry I didn’t mean in front of the lens but rather overhead to try to control the harshness: something like a 4×4 opal, frost, muslin etc.? Or were these two references rather a time of choosing to shoot at a specific time to get the angle and shape you wanted on the subject? Thanks!

[William Knowles]

Miller’s Crossing is almost exclusively shot on long lenses. Quite the departure for Barry and the Coen’s at the time.

[Author]

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