CBE, ASC, BSC
Although not 4:3, it reminded me of these ‘memory’ or ‘vignette’ scenes from Jarhead, which although are a different ratio to the 2.35, fit in to the film perfectly.
I always wondered, Roger, did you use super 16 for these scenes? Or some other ‘inferior’ format or process, as the image looks a lot more grainy or even ‘degraded’ than the rest of the film?