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Hi Roger,
I recently rewatched Sicario and I’m reaching out to ask about the sky shots.
In various moments from the film, the sky shots are prominent to the point where I perceive them as characters in the film. It’s hard to think of the scene, the acting, the score and the emotion without the presence of the sky.
I wanted to ask, how did you and Denis treat the sky shots in pre-production?
Thanks for your time!
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