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Hi Roger!
Im really curious of how you go to when it comes to post production.
In my experience (talking about stills) post is such a huge one now days, when it comes to tones and colors.
Whats the process for you when filming when it comes to color grading. And how much are you a part of that?One thing i find really frustrating with my work is, i’ve been working on a image on my computer and i like the result i have accomplished. But the the difference from looking at it on another source, like a phone or another persons computer can change the image a lot.
I figure its the same for you, when you’re looking at your work filming it and when its up on the cinema?
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