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I’m curious to know if you had a point in your early career where you needed to think consciously about making your camera subjective or objective… or maybe you ride by the seat of your pants, and I’m thinking too deeply about it.
I saw this interesting essay about how cinematography can illustrate perspective—the broader perspective of the narrative and that of the character(s).
For example, they gave an interpretation of No Country. The essayist believed that through multiple subjective POVs, you get a more objective narrative, as you can sample various individuals’ experiences to get the film’s cat-and-mouse EXPERIENCE.
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