Oil lamps on 1917

Posted on by

Home Forums Lighting Oil lamps on 1917

  • Creator
    Topic
  • #176460
    Ruairiob
    Participant

      Good afternoon from chilly Bucharest,
      I’m about to shoot a show which will rely a lot on candles and oil lamps. I heard that on 1917 you used prop oil lamps with two bulbs, the brighter one being hidden behind the dimmer one.

      I wonder if you could give a little more detail. Did you put something in between them?  so that the effect wasn’t cumulative? Were you using tungsten or LED bulbs?

      Any help is greatly appreciated.

    Viewing 7 replies - 1 through 7 (of 7 total)
    • Author
      Replies
    • #176512
      Roger Deakins
      Keymaster

        I usually use 150 or 250 watt bulbs to rig an oil lamp in this way but for ‘1917’ I used 500 watt bulbs of the same kind as are used in conventional Tungsten Fresnel lamps. These were all I could find in the UK, although I have a great range of quartz bulbs in my garage in the US.

        Once or twice I have used a small strip of blackwrap between the twin bulbs, to hide the one that was away from camera and brighter, but I don’t remember it being necessary to do this on ‘1917’.

        #176534
        Ruairiob
        Participant

          Thanks Roger,
          Just so you know, the last time you answered a question for me I had been asked to shoot a fifteen page battle with horses and chariots and five hundred extras- all at dusk, in three days.

          I was able to say to the producers ‘You guys have heard of Roger Deakins, right? He says it can’t be done’.

          You got me right out of jail.

          Thanks again.

          #176537
          Stip
          Participant

            Haha, good story!

            #176558
            Roger Deakins
            Keymaster

              I guess I am not in your producers good books, though!

              So what did you do? Tell all.

              #176602
              Ruairiob
              Participant

                I shot some DFN tests and said we can do dusk if we can can control every shot. Shoot the wides at magic hour and the close ups under silks etc…

                I also said that if we could guarantee cloudy weather we might be able to make it work- but we were shooting in South Africa so there wasn’t a snowball’s chance in Cape Town that that would work.

                In the the end, they put the red pen through the word dusk and made it day.

                I would have loved to have shot it as written but given the scale and complexity of it – people fighting on chariots etc… it just wasn’t realistic.

                But I can’t thank you enough for your message. It made me look like less of a failure.

                I guess so much of the job is managing expectations.

                #176603
                Ruairiob
                Participant

                  Oh and the show sank without a trace, I think there were only about three people still watching by the time we came to that battle!

                   

                  #176625
                  Roger Deakins
                  Keymaster

                    I’m sorry the show was not a success. So it goes!

                  Viewing 7 replies - 1 through 7 (of 7 total)
                  • You must be logged in to reply to this topic.