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My main set of lenses were the Arri Signature primes on Empire. Cooke are superb lenses. Sure I would use them in the right situation and I often do if I need a zoom, for instance.
Hello Roger! Thank you so much for your work! It is a great happiness to watch people like you! I’ve learned a lot from you. I am looking forward to your new works! I
I have one question. In the movie ‘The Man Who Wasn’t There’ you used Cooke optics and I wanted to ask what focal lengths were used in the movie? It seemed to me that it was shot wider than your previous work with Ethan and Joel.
Thank you for your attention, I wish you good health and good projects.
Good morning from Spain,
My intention is to shoot a special for RTVE that we produce every year. In previous years, we filmed it over 2 days, which allowed me the flexibility to choose high-end lenses, such as the Cooke S4 and Tribet 7. This year, however, we will be filming over 11 days. I’m almost certain that I’ll be asked to find more economical alternatives. The complete set of Cooke S7 FF lenses, except for the 40mm, will cost €4380 for an 11-day rental, which I believe is a good deal. Nonetheless, production always seeks to cut costs. If I can’t withstand the pressure, I would like to have a more affordable alternative that closely matches the technical performance and look of the Cooke S7 FF lenses.
Thank you and best regards,
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