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I haven’t seen this covered literally anywhere. When working with haze I feel as though the continuity of haze between shots/scenes should be a consideration. I’ve worked on a few features as a gaffer and a lot of commercials/films/spots as a Steadicam Op where we haven’t used it at all. Is there a way to utilize haze and try to keep a continuity of it within the same scene/take? What do you look for? What does Ridley Scott do? I don’t know how this could have been accomplished in the film days when there was no play back (maybe they weren’t as concerned with continuity then?, and maybe I shouldn’t be now? LOL).
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