Sam Higgins

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  • in reply to: False Color and LUT Workflow #216894
    Sam Higgins
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      Hi There, What equipment are you using? Seems like something is missing in settings potentially.

      Personally I have the monitoring LUT applied to monitor from source/camera (capture set to RAW LOG with no baked in LUT). My monitor then overlays its false colour on to the received LUT applied image from camera on monitor to reflect contrast ratio in post when coloured.

      As false colour is an overlay of the sensor projection its less accurate but the flexibility of raw/log easily compensates for this. With GIO/EL zones it’s a read from the physically received light not sensor reproduction (Far more accurate) so you would need to know how your monitoring LUT is effecting the stop values & adjust from there.

      Consideration needs to be given to the limited stop range of REC709 vs the cameras capability, I’d recommend editing/monitoring in a wider colour gamut if you are loosing information in your ratios.

      Hope that helps?

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