CBE, ASC, BSC
Thank you all! I just thought with more exposure, there may be hope of something truly massive.
Totally fair — thanks for the honest reply. Since you do know the Alexa Mini LF: when you’re judging whether a camera is viable for a big, outdoor-heavy film (Lawrence-scale), what are the first practical things you care about — monitoring, highlight behavior, reliability, post pipeline, etc.? Also, ignoring marketing: what does LF sensor size actually change for you on set, and when does “more Ks” really matter (if ever) beyond VFX/reframing/archival?
