[leonardoferrari]

Anyway, in the given context, lighting from zero could be better for continuity, as there is no window available in both locations. You could light the characters in a way that implies a window exists in the room, even if it remains unseen. This way, you can establish the angle of the light and match it between shots.
But I’m just suggesting, I don’t know about the story or context!

[leonardoferrari]

Yes, having additional context could be more beneficial!

[leonardoferrari]

Hi! May I ask you why shooting in two different locations is necessary? Is it a dialogue scene?

[Author]

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