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This sounds like a fascinating concept. Mihai Vig is a brilliant composer, especially when it comes to crafting atmosphere. For instance, in The Turin Horse, the visual palette wasn’t particularly varied, yet through sound and music, he managed to create an intensely difficult and oppressive atmosphere. It will be truly compelling to see how a genius concept like this is answered by Roger.
That sounds like a very interesting idea to implement. It will undoubtedly be a significant challenge for both the operators and the artists. It seems to me that in a scenario where there is a complete absence of visuals and moments of absolute darkness, the proper work with sound and music becomes crucial. Yakov, tell me, do you have any developments regarding the sound or music for the film? Which composer are you working with?
