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BI thought it would be unique by mistakenly. At which point you feel very distracting or do you feel totally distracting or partially of the shots.
Hey, I checked out the clips you shared. I can see what you mean about the “unique” feel, but honestly, the rapid 360-degree swings make it feel a bit disorienting—probably what Roger meant by distracting. I think the effect could work in short bursts or for stylistic purposes, but for sustained shots, it might take the viewer out of the scene. If you want a smoother look while still getting that full rotation, you might try combining a lightweight body cam rig with some digital stabilization in post, or even experiment with slow, controlled swings rather than full-speed rotations. Kind of like leveling up in Brainrot Clicker – a little patience and control goes a long way before things get messy.
So many ways to shoot these kinds of shots today but in 1966, what James Wong Howe achieved in Seconds was quite striking. The why of it is beside the point.
Master Roger you said so many ways to shoot this kind of shots today. Could you please Tell me what are another way except Steadycam
par le wordle Dear master Roger have you ever crossed 360 degree swing body cam. Here by I have attached small video links. It was shot on custom made rig. How to achieve this kind of moving shots with body cam.
That sounds like an impressive setup! A 360-degree swing body cam shot usually requires a carefully balanced custom rig, often with a rotating arm or circular support system mounted to a body harness. The key elements to achieving this kind of moving shot are proper weight distribution, a secure body mount (like a vest or chest harness), and a smooth rotational mechanism — sometimes using a swivel joint or bearing system to allow fluid circular motion.
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