Post & the DI

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For the opening sequence in 'Unbroken', the most important element for me was the light that was coming into the fuselage of the bomber rather than the exterior image. I doubt I could have shot it in the way that I wanted had there been an LED screen outside the windows, at least not without spending a great deal of time balancing the screen that was in shot while brightening the areas that were just out of frame. That is a time consuming way to work, especially when shooting with a fluid camera. Using the white diffusion as the 'key' was faster on the day and also cost effective overall.

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