What color temp do you think Robby muller shot this scene from Paris Texas at? (1 reply)
In 1983-84, there were just two 35mm Kodak motion picture stocks and both were tungsten balance. I doubt he left the 85 correction filter on in a twilight scene like this but he could have pulled it and then color-timed it back part ways to daylight. I think if it were all the way corrected to daylight then the overhead lights would have shifted from cyan to straight green.
Man that florescent green mixed with that warm sunset. How did he do that?