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Not Roger, but I've had good success filming an interior car scene just using a shoulder mounted camera. We did several takes with the camera in each actor's position, panning back and forth to the other actors. The jostling of the camera should ad some visceral energy to the escape scene. You can tape a small light onto the hood(shining into the car) of the car as Roger has done for several of his movies. It worked for us.

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