Lighting

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Dear master roger i have seen your most of the movies and read interviews also. you mentioned most of your movies light by muslin cloth and tweenies. But you have achieved specific look. For instance "Serious man" lighting entirely different from "Hudsucker proxy" and "Beautiful mind" lighting is different from "Shashank redemption" lighting. What was the secret trick? Same lights, same diffusion, same bounce but variety of look. Could you talk about it. How do you achieve different look from same muslim bounce, grid cloth diffusion?. Is it not really purely about lights and diffusion.

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