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Hey Roger,
I am curious what your overall philosophy is on placement and size of a bounce for daylight exteriors is. I feel that the tendency of key grips is typically to place a bounce on one side of camera, usually the opposite side of the 3/4 backlight, but at times I feel this ends up with me “feeling” the bounce too much. Usually I am am more interested in lifting the shadow area evenly so as not to feel the directionality of the bounce.
Also, a follow up. Do you tend to use diffusion material to soften the sun on a subject when they are more front lit?
Thanks!
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