Composition

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Even back before digital IMAX presentations, in the 2000's when you had a spate of theatrical features released in 15-perf 70mm IMAX using the DMR blow-up process, they were all letterboxed to widescreen of some shape or another simply because most movies are shot in a widescreen format and composed for widescreen, leaving only movies shot in IMAX film being projected in a 1.43 : 1 aspect ratio.

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