Hey Roger,
I am about to start pre-production on a 25 page short film which we have decided will be shot in super 16. I've been interested in using reversal film as opposed to negative for a while now and with this project (a stark melodrama about divorce) I believe it will really give it a unique look. I have been pulling up reference material of others who have shot on reversal and I could only find two or three stills that are similar to what I want, which make me feel it might be very difficult to get what I want. I was wondering if you had any advice to give about using reversal film. I can tell you I am going to be very conscious of the colors on set because of reversal's high saturation quality. I want to stick to beige's and deep pastels as the color palette. Is there any other advice you can give me about using reversal film? My main concern is that I don't want the film to distract from the story, but to enhance it. Anything will be helpful because I have never used this type of film before.
And If anyone else has advice as well it will be much appreciated.
Thanks,
Mackenzie.
